Before enter the Theatre Adolfo Mejia knew the biography of "The Jackal" the same as the neighbor across from my house that never crossed the floor.
At times, appear before a speech virgin film can play against other times, gives you the chance to meet someone in layers, and go slowly appropriating each of his gestures and emotions as brutally honest as fake.
One of the items to the most I expected was to find the film to a mature actor who could put on his shoulders the weight of three hours and had quite a projection of the previous day in which the main actor was struggling between his self-centeredness to look good on camera and be able to recite his lines convincingly.
While Edgar Ramirez (Carlos) was able to obtain this level that distinguishes the great players the executors, in some other was lost to find the sound of his lines in perfect French. I would not say he speaks, but that appeals in five languages \u200b\u200band turns into a perfect puppet Olivier Assayas, the director, a Frenchman who denotes a bodily weakness that betrays the image one might have of pulling the strings of characters that got out at all hours of his mind to fight for their ideals.
original Lasting five hours to be built initially as a miniseries, "this film has been reduced to a 159-minute version only feel after two hours. Own a fast pace in which special effects are not needed large, this film opens a space for discussion need to "humanize" a man who is regarded as a ruthless international terrorist Carlos to make room for the parent, the narcissistic and we suffer, laugh and mourn over a wide expanse of time that we forget their crimes and end up applauding her tender and wry sense of humor.
A frontal nudity long time the central character promptly call the attention of females, while a resource that could be taken with morbidity by more moralistic gives more warmth and empathy visual character. Hence love Carlos as it hurts their final oil.
A balanced pool of performances, a script that has been submitted although controversial because of its historical inaccuracies but in its narrative structure works, the geopolitical thriller imagine a little more, a little less like a great alter ego Assayas, leaves me with an exquisite taste in the mouth, eager to see the five full hours.
Beyond all technical design, which is equally brilliant, "Carlos" gives us a linear film discourse that at times we may drown by the almost limitless amount of information of the biopic, you may lose some viewers little adventurous in acquiring data from historical reconstructions.
Join to crumble this story based on real events, while deconstruct and reconstruct the image we have of a "murderer" becomes Assayas's greatest achievement, the man often deceives us nervous voice image, we end up responsible for loving a man whose objects of desire is divided between sex, nicotine and terrorism.
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