had to see Ricardo Darin again. Was already very aware of the next move would do in his film career. Go moving down the sides, leaving the straight line of the same character is the best option in a prolific career in acting, I have plenty examples of them, and explain later. Darin
now embodies an anti-hero in contrast to his previous character in "The Secret of his eyes." A "carancho" is defined as a bird of prey, "almost always solitary, living in South America and feed on carrion (dead meat). Precisely to this we point the director, Pablo Trapero, with a precise association of lawyers who specialize in nurturing every day of death.
In this film, which focuses on the compensation generated by traffic accidents occurring in Argentina, but what more does stand out is the performance of Darin, "which is being debugged increasingly like a fine wine - could not assert the same of his co-star, Martina Gusman, who weakens the story due to excessive natural pretended that sometimes verges on visual alexithymia.
Darin is in the climax point of connection with the public in the you would believe anything, such as a prodigious actor tables could.
A script that works with a simple storyline, tragic and raw gracefully manages to stay afloat despite its few shortcomings. His extensive technical composition, sequences and close-ups, is framed through a precise visual aesthetic that goes beyond the story itself.
Its director, engages not just to present social denunciation, but also adds fragments intense psychological thriller that is not distracting to note a lack of ethical values \u200b\u200bin an office collecting illegal payments accident and health system with the same fragility of a broken bone.
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'Carancho' does not have the narrative force we expect, because a slow tempo that at times you might invite to discouragement, but certainly end with European-visible qualities in their speech-film leaves us exquisite distaste in the mouth, while we grant the face of documentary film with the idea that the South American cinema is in one of his best moments.
'Carancho' does not have the narrative force we expect, because a slow tempo that at times you might invite to discouragement, but certainly end with European-visible qualities in their speech-film leaves us exquisite distaste in the mouth, while we grant the face of documentary film with the idea that the South American cinema is in one of his best moments.
scene not to miss: His thrilling final.
My recommendation: not let your slow pace will not continue to distract you from seeing it.
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