Saturday, February 5, 2011

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TOP 10 MOVIES OF 2010

Disclaimer: The selected are of personal taste and of course, transferable.




1. The Social Network
For some this story may sound superficial, but take into account the start of an industry that generates billions of dollars orchestrated by David Fincher is a viewing must not escape us. Fincher, who has accustomed us to dark sides of human being-the most fun while exploring complex, "in earlier films, so sublime handling a very simple storyline if it had been taken by another director with less attention to human, would have completely destroyed.


2. The King's Speech
One of its biggest advantages is having an actor in the climactic point of his career. From there, to a trio acting that borders on the absurd perfection, coupled with an exquisite art direction. As for terms of dialogue, to express friendship in middle age by two men who fraternize with gentleness, wisdom and brutal honesty makes the public direct melt. A simple story line and restricted grants you the warmth needed for a period film is made very digestible.



3. Inception
A film that has many interpretations as to terms of script, which at first runs through how to discern between reality and fantasy in human beings. "The Source" Freud came into fashion again, made to think of implementing ideas in the subconscious through computers without much science fiction, we would have looked silly and outdated. Rotate a 180-degree street, a train entering the middle of nowhere, the Penrose staircase are some of the details that excite in equal proportion to their perpetrators than their fans. A huge feast of visual and it could not be ignored by experts from academia.




4. Shutter Island
One of the great masters of the thriller as Scorsese was impossible not to leave traces on this list, and that his film has been ignored by the academy has been of the greatest absurdities of this year. Adapted from the novel by Dennis Lehane, responsible for titles such as "Gone Baby Gone" and "Mystic River." Brilliant performances by Sir Ben Kingsley, Mark Ruffalo and DiCaprio, plus millimeter management of its details that only an expert in the art would know. A unit place that offers diversity of choice to explore as humanly and artistically mind games brought to this film as one of the masterpieces of this year.


5. Black Swan
An intellectual orgasm. Simple as that. Shine through the lens of Aronofsky, showing the fine line lies between sanity Machiavellian and hallucinations deep, is the best card of this film to your guide to the academy. Give excessive weight to the central character may sometimes play against, but this is a wonderful exception. Recurring symbols and a decisive and stressful pace in crescendo to a climax give the unique beauty as an art film can give us.


6. Winter's Bone
To be honest in the first 20 minutes of viewing I thought I was seeing exactly the title, "The bone of winter," for those not familiar with the jargon of Colombia, a bone would be something of very low quality. Then you look at Lawrence, the protagonist, who is not lost on the role and control almost unsuccessfully to locate his father. We almost lost for a moment until it enters Hawkes-impersonating his uncle, and then we lose this winter is no more external than internal suspense unambiguous representation of Ree. For those who have gone through great trials in her life and have come out unscathed from them may include Ree wisely and not judge their decisions.

7. The Ghost Writer
Personally I love the films that introduce elements unknown to the general public and fail to hold in the human subconscious. A ghost writer specifically stated to the person who is selected to write the books without giving proper credit. Polanski, one of the great masters of suspense turns his magic wand and takes greater advantage they both Mc Gregor as Pierce Brosnan, who despite not character actors shine behind the sinister film director.
8. Never let me go
Imagine "The Island" in drama drawn through the brush of Kazuo Ishiguro, "the same Japanese novelist of" The Remains of the day "- coupled with the brilliant leadership of Mark Romanek. A drama hard to see, to understand in all its complexities due to impotence to stop the viewer. Characters who are caught and handled like puppets without freedom of thought or action, guided by the ever-precise action Carey Mulligan.

9. Blue Valentine
That two actors to maintain the thread of a story without narrative strength decay for nearly two hours, after extensive dialogue can it is not easy to see for the common viewer. An example would be the romantic stories as usual, if we all had the ability to support a drama with a few breaths on board. Bonus extra: Williams and Gosling placed fashionable couple fights.


10. 127 Hours
Watching a man cutting his arm is not normally an ideal for me. Blood that runs a script unjustified always seems to me absurd. This is not the case. Danny Boyle, the director, enhanced with a similar misfortune that Aaron Ralston-in real-life story, had to pass as he fell accidentally under a rock of great proportions. His film and editing make this film an excellent choice as the cinema has to offer.

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