I think it's the first time I have an intellectual orgasm after seeing a film. I had happened before with some special books, which speak one day but not today. Certainly not today.
Finding a gem like this in the Hollywood film is truly unusual, as unusual as it is, I still do not fully digest.
and find a character like Nina in the hands of a director like Darren Aronofsky seems even more exquisite. Aronofsky flag raising that capacity to a level professedly artistic sublime sorrows and anxieties of the most grotesque human being.
And this is how the director who was in his hands both the cult film, "Requiem for a Dream" as "The Wrestler", we entered the world of ballet. And we show more than the glamorous, but the simplicity may see an x \u200b\u200bnumber of dancers "jump and tricks", invites us to go behind the scenes, and entered into the skin of the lead dancer. And perhaps fragility of Nina (Natalie Portman) hinders the possibility of becoming the black swan, and his teacher, (Vincent Cassel) is the point of vehemently to create you a deep psychosis, and the emergence of a love-hate relationship between both of which it is very difficult if not impossible to discard. And maybe that playing the seduction of his master, as his obsession to become the star of the ballet corps carried beyond the thin line between sanity and profound hallucinations.
The most excellent quality of the film lies in the recurring symbols. Start with the art direction. Positioning the duality of black and white to represent Odette and Odile, red lipstick stolen, required to enter the game of seduction, a skin rash , reflecting a gradual transformation towards the black swan Nina, and others not mention. An acute emotional fork awaits Nina, which satisfy both herself, and her mother and teacher, he assumes too much confusion between the two sides of herself. The snowy and dark. Because they represent the two sides of the coin for many of you may represent a challenge and for others a simple wake of being.
shines technical composition Through cinema verite that we saw in the seal of his director in "The Wrestler" shoulder cameras sought by both Nina and the teacher, the ballet corps everywhere are needed to provide a more intimate relationship with the viewer, will with a musical composition is not widely or needs to be, precisely because it is intended that the repetition of the Russian ballet "Swan Lake" and other little anxiety Nina reflect the pursuit of perfection of their role.
A psychosexual thriller that spreads the exquisite agony that his character experiences, and that goes in crescendo as you go through time Aronofsky's lens. With superb performances by Vincent Cassel and Portman, Cassel find a character with a rich exploratory, and we appreciate it as a mask of many colors, it does not seem to take efforts to become a ruthless and irresistible seducer Master in seconds .
is likely to drag the Golden Globes, also hope you get to the Oscars, which surely will. Scene
Non lost : Absolutely all. Special mention for the conversion of Nina to the black swan.
My recommendation: not miss this exquisite piece art.
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