Debut Program Sample Template

THE 10 BEST PERFORMANCES OF 2010 BLUE VALENTINE

The following are a personal preference.

1. Natalie Portman - Black Swan
The first time I saw this film was perplexed. In addition to Portman, was the acting assembly that fit perfectly. One of the best ways for an actor works is action-response, but you who will respond with the same force is difficult to do it yourself.
Natalie manages to give all the necessary tension to "Nina", his character, and give this duality that we all have inside, but it is difficult to explore openly. We all want or can not be good enough, or allows us to experience the dark. Aided by some effects, and wonderful direction Aronofsky, the director, "Nina" the character becomes emblematic of the dichotomy is possible and can be dreadfully stifling.

2. Christian Bale - The Fighter
Bale is another in this role. Simple as that. Goodbye Batman. Goodbye beauty. One of the best ways to enter the skin of a character is to forget the ego and self-forgetfulness. Bale flagged this way to position itself as a good actor. Although he is not the main role gets all the credit. Bale does not become the character, the character.

"The Fighter" is a very soft film in its narrative structure, but Bale has made this film worth seeing, just for him.

3. Carey Mulligan - Never let me go
One of my favorites that was forgotten by the academy this year. Most likely by the lack of promotion of their film. Mulligan brings this inner strength and sense of truth is very few players. Not have to make the slightest effort to enter a character. She just appears and does his thing. Owner of a warmth and presence acting reminiscent to the divas of the 40's.

4. Colin Firth - The King's Speech
This year he returned for the Oscar that was stolen last year with "A single man", and most likely will take it away. His portrait of King George VI stuttering is simply exquisite. Firth was finding his place for several years and, boy got it! You can move between the toughness and tenderness in seconds. Be protagonist of a dramedy with 12 nominations is the best guarantee for this year.

5. Marion Cotillard - Inception
Cotillard needs no introduction. After "La Vie in Rose" to this woman everything will seem utterly stupid. I doubt there is anyone on the globe better than this woman. One of the major powers of Meryl Streep. I think all involved in his performance is his French accent. Equal to the academy will seem exotic. She is the kind of woman than any hate, simply because it is the best at what he does, despite her beauty, her talent is indisputable.

6. Johnny Depp - Alice in Wonderland
Forgotten by the Golden Globes and the Academy this year, one of the most charismatic actors that Hollywood has decided to embark industry with Burtonesca version of "Alice in Wonderland."

The great fetish Burton manages to embody eagerly Mad Hatter. Some halos depressive character, give great irony to comedy depicting the tea. Investing a legendary play many times against, but does very well out of it unscathed.

7. Noomi Rapace - The Girl with the Dragon Tattoo
nominated at the BAFTAs, and forgotten Hollywood, Rapace not had the reception he should. Perhaps if academics devoted to read Stieg Larsson's trilogy, Rapace come without thinking. Invest a girl with a serious lack of emotional intelligence is not easy. We need a total restriction of the body and emotions to achieve. Rapace is "Lisbeth Salander" and from now I will make it difficult to see embodying another role.

8. Jesse Eisenberg - The Social Network
Speechless. This guy is just perfect. Anyone who has seen Mark Zuckerberg in an interview that seems to know his double. Not physically accurate, but expressively if it is. Embody a misanthropic genius should not be easy. And it does so naturally Eisenberg convincing deeply.

9. Emma Stone - Easy To
My surprise of this year. This film is bad and win. Something I did not see or as a child, but the quality of interpretation of the Stone will make great leaps in Hollywood. At least already in the upcoming "Spiderman." His character is a teenage girl crazy as honest I've seen in a comedy for a long time.

10. Ryan Gosling-Blue Valentine
A worthy successor to Ralph Phiennes. When I saw him in "The Notebook", "considered one of the most romantic films of all time," I felt a huge force acting. Although beauty is in the way, and sometimes loves to show off before the camera more than acting, is an excellent way. "Blue Valentine" is his best form so far.

Fibroids Ear Pressure

bet on reciprocity in love sometimes be as absurd as winning the lottery. Pretend that this feeling or will, or however you want to call, to be present for a certain time without the union is going to transform sounds crazy.

All beings are constantly changing. Which essentially are the same, true, but the many circumstances that surround us every day, we modify behavior, emotions, and others. Blue Valentine
is betting that, precisely. As a person may not be the same in a few years, the love between this and his partner, is being transformed. Sometimes able to adapt, sometimes not.

This is the case in which love is not adapted.

Ryan Gosling and Michelle Williams almost quixotic undertaking work. Two hours in the air keep the viewer through dialogue. And make it out this wonderfully airy. For someone who appreciates acting and its infinite forms it will be a feast of visual expression.

Despite the harshness of her scenes, Gosling will introduce the film some much needed respite, and already seems to be a worthy successor to Ralph Phiennes, which monopolize the attention of females. A true romantic lover, obsessively. Another reason with which they can enjoy.

And its director, Derek Cianfrance makes use of intermittent flashbacks to tell the beginning and end, precisely because it is so difficult viewing, it is necessary to try to "streamline" a little, however, observe changes between before and after makes intermittently feel the degradation of the relationship that goes from the sweetest to the most bitter.

A crude drama postmodern times the love that is worth seeing for the brilliant performances of Gosling and Williams.

scene not to miss: The motel blue.

My recommendation: In an era of digital effects, this film may not have the approval of the common viewer. If you're one of those, do yourself a favor and refrain from viewing.